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January 27, 2008

Creating an In-House Stock Photo Library.

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Most in-house creative teams face the issue of corporate images scattered throughout their department. Each designer ends up with a different assortment of photos they've compiled over the years. Collections of photos end up stored in individual project folders — even if those same images end up linked later to a dozen other projects.

Over the last several years at CreativeTechs, we've helped a lot of in-house creative teams develop image management and keywording strategies get control over their unwieldily image collections. In the end, they create something like their own private in-house stock image library.

Step 1: Create an empty "Photo Library" folder on your server.

The first step towards creating a manageable, organized, in-house photo library is to create a single, central place that your company's photo library will live. Create that folder, but don't drag anything in yet.

Step 2: Start with a basic list of folder categories.

Here is the big mistake most in-house creative teams make when they first start building an image management strategy: They get too detailed, too soon.

Your objective in this second step is to create the simplest folder structure necessary to categorize your photos. The folders should look a little like an outline. Here is a slightly modified list of folders from a cruise ship operator we support in downtown Seattle.

Keywords1-Folders.png

In this example, there are three major categories for their in-house photo library:

  • Destinations (photos showing places ships visit)
  • People (photos of guests, or crew members)
  • Vessels (photos of the cruise ships themselves)

Below each major category is a subcategory for sorting images into folders for the specific destinations visited, or the specific vessels. In this example, only the initial 2-or-3 letter acronym (AK for Alaska) is used for Keywording purposes. The extra text description was added to each folder name to aid freelancers who would not know the company's acronyms by heart.

Simplifying your photo library's folder structure down to a few simple categories is the most important, and often the most difficult part of this process. In-house creative teams can often organize their photo libraries around product lines, target markets, and general business photos. Each business is unique and requires a different category structure.

Here are a couple tests to see if your folder category structure is working:

Each photo fits in a single category. The folders must represent categories that don't overlap. If you find yourself frequently wanting to place the same image in two or three different folders, you are probably not creating a simple enough category structure.

The categories are obvious. If several people in your organization sit down to sort images, the folder structure must be simple enough that all five people would make the same judgement about where images belong. If you find your team debating among themselves about which folder a given image belongs, it probably means that you have not defined your initial folder categories simply enough.

Basic rules can address any confusion. Given our example categories, you might ask, "What happens to a photo of guest, standing on a ship, with an Alaskan landscape behind them?" That's where basic rules come in. Photos categorized in "people" might be only for close-ups with less than three people. Devise some simple rules for sorting, and document your choices with examples.

Sort your images into these basic fold categories, and you'll be amazed how much more organized your library feels, even without adding an extra layer of keywords.

Step 3: Build a list of 100-200 keywords in Bridge.

After you've sorted your image library into basic categories, you can go back and start adding additional keywords to individual photos. However, as with our categories, it is important to build a fixed set of keywords people can work with. It becomes chaos if every designer on your team is independently coming up with new keywords to describe individual photos.

In our example, the keyword list would includes all category terms we created in our folder structure. Plus additional keywords that can be applied to individual photos for further detail. In this case, additional keywords are added for Nature, Objects, People, Places, and Wildlife.

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Your keywords become a fixed menu of search options. Rather than guessing what words might be used in the image database, those 100-200 pre-defined terms provide a menu to the people who are keywording your image, as well as people searching the photo library later.

Add more keywords to your collection as the need arises.

Final Thoughts on Keywording Strategy: Keep it simple. Keep it limited.

Writing this tip, I'm realizing that while the concept is straight forward, there is a lot of work and debate that goes into developing a clean, organized image management and keywording strategy.

The most important thing to remember when creating an in-house library is to keep things simple. Managing images is an ongoing task. The more complexity you add to the job, the less chance your system will still be updated several years from now.

When you are keywording for a specific audience, the keyword list you create should be finite and specific. You want to remove as much discretion as possible from the keywording process.

Keywording for online sales and marketing to a wide audience is another matter. For that we've got a slightly different tip.

Source: This tip inspired by Jason Hoppe's workshop last Wednesday on Adobe Bridge: Keywording Strategies. Concepts in this tip are drawn from image management projects we've been involved with over the years including clients like Philips Ultrasound, Cruise West, and Ste. Michelle Winery.

Share an image library using Extensis NetPublish.

Say you manage an in-house creative department that has amassed a large library of company images (product photography, buildings, headshots, etc). How can you make your photo library available to outside vendors or other people within the organization.

Back in April of 2006, we recorded this short 5 minute video tutorial showing how to share out your image library on a password-protected website using Extensis Portfolio and Extensis NetPublish. The software has been updated a bit since then, but the basic approach and strategy remains largely the same.

Back then, we created a small diagram showing how the pieces can work together for hosting your own online image library.

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Today, we have clients invest in a more robust server to host the shared image library (no Mac Minis). There are also plenty of technical details to work out with IT departments. But the overall approach remains largely the same:

Consolidate and organize your company's image library onto a central server. Sort images into major category folders, and add additional keywords to specific images. The collection can then be shared out as a password-protected website using Extensis Portfolio and Extensis NetPublish.

Source: This tip was first published in QuickTips #89 in April 2006.

January 26, 2008

Larger Studios, Don't install Office 2008 (Yet).

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The new Mac version of Microsoft Office 2008 has started arriving at our client's studios. While we generally reserve judgement on the inevitable antidotal list of problems that accompany any new software release, there is a significant enough problem with the current Office 2008 installer that we're recommending larger design studios hold off installing it for the moment.

With this particular problem, the Office 2008 installer incorrectly grants ownership of it's files to a particular local user as it installs them. That won't effect most small studios or individual designers, but in some larger managed networks this can cause potential problems. For more details, read the post on Make Mac Work, our sister blog written for IT professionals supporting Mac users:

Make Mac Work: Don't Install Office 2008 (Yet)

We're recommending that clients hold off installing Office 2008 until Microsoft releases a patch to fix this issue. That should be soon. For larger studios, we'd prefer clients use the corporate site-license version of Office 2008 anyway (which should ship Feb 1).

Other known issues in Microsoft Office 2008

As an additional resource, Microsoft has commendably compiled an updated page of known issues for each Office 2008 program:

Known issues in Word 2008

Known issues in Excel 2008

Known issues in PowerPoint 2008

Known issues in Entourage 2008

Source: This issue originally discovered with Shayne Sandison in the IT department of Fitch Seattle during testing for an Office 2008 roll-out. We found confirmation of the problem on Joel Bruner's technical blog, publicized by John Gruber at Daring Fireball. The links to known issues in Office 2008 comes from a tip at the great Mac OS X Hints site.

January 20, 2008

The Best Auto-Trace Available.

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Stanford University's Artificial Intelligence Laboratory has developed an online autotrace tool that is dramatically more accurate than the LiveTrace tool available in Adobe Illustrator, or the old Adobe Streamline utility that some designers still have lurking around their hard drive. Even better it’s free! VectorMagic is available as an online tool on their website:

vectormagic.stanford.edu

You upload your bitmap image, answer a couple questions about the original image, and the system creates a vector EPS version that you can download and edit. Their example results are stunning, and from our own experiments at CreativeTechs with a few real-world projects, the results are impressive.

The interface is fairly straight-forward. But if you get lost they also have a quick 3-minute video tutorial showing the system in action. Give it a shot.

Source: This tip inspired by a recent label design project for Firesteed Wine (a tasty wine by the way) by Seattle designer Craig Marocco. The actual tip comes from the January 2008 issue of Design Tools Monthly.

January 16, 2008

Macworld 2008 Keynote in 60 Seconds!

If you don't have a full hour-and-half you can dedicate to watching Steve Jobs' latest keynote at Macworld 2008, here is a great video that lets you catch the entire 90-minute speech in 60 seconds!

Remarkably all the highlights are there. If you feel inspired to watch the full version, here's the link at Apple's website:

Macworld 2008 Keynote Address

Tip: For the best part, jump ahead to 58 minutes into the presentation when Steve Jobs unveils the new MacBook Air by pulling it out of a thin envelope on stage.

Source: I found this video posted on James Dempsey's new The Graphic Mac blog. Terrific catch Jim!

January 13, 2008

Play almost any video file on your Mac.

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We field a lot of troubleshooting calls over the course of a year from Mac-based art directors experiencing problems playing movie files sent to them by Windows-based clients, or viewing video clips from certain local TV news websites.

There are two essential (and free) utilities that will solve a host of incompatible video problems with Apple's QuickTime utility. They are free to download, and easy to install. We recommend installing these on most Mac creative workstations.

Perian — Billed as the Swiss-Army knife for QuickTime. This open source plug-in for QuickTime includes a wide number of video codec files that enables your Mac to play most common video formats.

Filp4Mac WMV — Provides support for Microsoft's Windows Media files (WMV) — one of the few video formats Perian doesn't support. The free version allows you to play most WMV files. You can pay to unlock additional options for exporting and converting WMV files into other formats.

Note: Perian requires Mac OS X 10.4.7. Both utilites are compatible with Mac OS X Leopard.

Source: This tip inspired by support calls over the years from a variety of clients, including long-time client Sarah Watson Design in Seattle's Phinney Ridge neighborhood. Includes material from MacApper blog. These utilities were profiled in the July 2007 and January 2008 issues of Design Tools Monthly.

January 12, 2008

Avoiding the "White Box" around shadows in Acrobat PDFs.

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A tips reader wrote us this week: "I have an issue with drop shadows and spot colors in Adobe InDesign. When I use a drop shadow in front of a spot color background it looks fine in InDesign, and prints properly as spot color separations. But a white box shows up around the image in Acrobat when I make a PDF to show the client. Is there a way around this problem?"

An excellent question, and one that comes up a lot for designers working with spot color. There are several ways to make sure your spot color jobs preview properly in Adobe Acrobat.

We'll cover 3 different techniques in this tip. Plus we'll throw in an extra tip on how to avoid that annoying white box when printing on cheap inkjet printers.

Overprint Solution #1: Acrobat's "Overprint Preview" option.

AcrobatOverprint-menu.pngThe first and simplest solution is to turn on the "Overprint Preview" option in Adobe Acrobat. This is a tremendously useful feature for soft-proofing PDFs before printing. Oddly, Adobe has hidden this valuable option in increasingly hard to find menus over the years. Here's where you can find the Overprint Preview command in various versions of Adobe Acrobat:

Acrobat 5: View > Overprint Preview

Acrobat 6-7: Advanced > Overprint Preview

Acrobat 8: Advanced > Print Production > Overprint Preview

This feature provides designers an indication how overprints will look on the finished printed project. The downside to this solution however is that your clients must be viewing at your PDFs in the full version of Acrobat, plus you'll need to train them to turn on the overprint preview option.

Overprint Solution #2: Export your PDFs with Acrobat 5.0 or later compatibility.

The second solution is to make a minor change to how you export your PDF from Adobe InDesign. By selecting Acrobat 5 (PDF 1.4) compatibility, your resulting PDFs will include additional transparency information that helps them preview more cleanly in Acrobat.

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This simple adjustment to how you create PDFs may be enough to solve the problem with your clients previewing spot color overprints. This does require that your clients are using Acrobat 5 or later. Since Acrobat 5 was released seven years ago in 2001, the chances are good your clients should be able to open these PDFs.

However, your print shop may feel differently. The older Acrobat 4 format flattens all transparency effects, which many print service vendors still prefer. Many print vendors provide their own PDF presets that do not allow transparency in the saved PDF. Check with your print shop about their preferences.

Overprint Solution #3: Convert Spot Colors to Process for Proofing.

Here's the last option we'll cover today for providing a PDF your clients can proof that's free of the annoying the white box problem. That's to convert all spot colors to process when generating your PDF proof.

When exporting your PDF from InDesign (File > Export), choose the Output options in the Export Adobe PDF dialog box, and click on the "Ink Manager" button in the color section of that window.

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In the Ink Manager window, turn on the "All Spots to Process" checkbox.

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This will create a process-color version of your PDF that should preview properly under almost all circumstances. However it is important that you remember this PDF will not print spot color properly, and should not be given to the final press for separations.

Bonus Tip: Simulating Overprints on Composite Color Printers.

Finally, if that annoying white box is showing up when you print your PDFs on a typical desktop color printer, there is a hidden option to fix that problem too.

In Acrobat's print dialog box, click on "Advanced" and look for a "Simulate Overprint" checkbox.

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We hope this variety of tips will help vanish those annoying white boxes from overprinted shadows from now on!

Source: This tip is inspired by an email question from reader Sean Bolger at EarthColor. The timing is impeccable, because Jason Hoppe is leading a workshop this Wednesday in Seattle titled Acrobat: Preflighting PDFs for Printing where he'll be digging into this and related topics much more deeply.

January 16 — Acrobat: Preflighting PDFs for Printing. Adobe PDF files are ideal for today's prepress workflow — but they have to be created properly. In this 90-minute session learn the details on how to make sure your PDFs will print flawlessly when they arrive at the print shop.

January 06, 2008

Seattle Events: Leopard Server Workshops

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Mac OS X Leopard Server was released in October 2007. CreativeTechs' Enterprise Consultant, Jordan Bojar, has developed a special series of hands-on workshops that dig into the most important new features, and covers in detail how they impact larger creative teams in the Seattle area.

LeopardServer_ical.pngJanuary 23 — Shared Calendaring with iCal. With Leopard server, OS X now has a full-fledged solution for shared calendars and scheduling. But is iCal Server the best option for your creative team? We'll explore multiple methods to get the most out of iCal in your work environment, then discuss calendar integration options for Mac-based departments within larger Windows-based organizations. [Fee: $200 — Register Here]

LeopardServer_timemachine.pngBackup Strategies. How can you protect your company's essential data when your files and your organization keep growing? We've all heard about Leopard's new Time Machine, but is it the best option for businesses? First, we'll talk about the unique challenges of backing up graphics and video. Then, we'll take a hard look at Retrospect -- What's happening with this tool we've relied on so heavily in the past? Finally, we'll dig into Leopard Server's built-in backup mechanisms, offering a clear plan for keeping your data safe in the future. [Fee: $200 — Register Here]

LeopardServer_systemimage.pngStreamlined Deployment. Preparing computers and installing software can be a time-consuming and disruptive process. Leopard Server includes features to streamline the setup and upkeep of all your Mac systems, but what about rolling out new software suites like Adobe CS3 and Office 2008? We'll present strategies to reduce your per-machine support costs, and work with several tools to put those plans into action. [Fee: $200 — Register Here]

Easily Burn Movies to a DVD without Apple's iDVD.

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Every now and again clients will ask how to burn QuickTime movies to a DVD they can show on TV using a standard DVD player. In the past, we've recommended looking at Apple's iDVD which comes pre-installed on all new Macs. The problem is, iDVD is a bit overkill if all you want is something simple to play a couple movies on your TV.

That's where Burn, a free lightweight CD/DVD burning utility comes in so handy:

Burn at SourceForge.net

Burn is certainly not the fanciest disc burner available. But it is free, simple, and it burns a variety of formats including CDs, DVDs, VCDs, DivX Disc and Audio CDs. This rest of this tip includes a quick tutorial on burning movies to DVD.

Tutorial: Burning QuickTime Movies to a DVD using the Burn utility.

Here is a quick 3 step tutorial on how to burn a QuickTime movie into a self-playing DVD.

Step 1: Click the Video tab and name your DVD.

Launch the Burn utility, and in the main window:

  • Select the Video tab.

  • Name your DVD

  • Choose "DVD" from the pop-up menu.

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Step 2: Drag your QuickTime movies into the file list.

Drag some video files right into the Burn file list. Most video files are supported, however some protected QuickTime files may not work. If they are not in the correct format for DVD, Burn will ask to convert them to the right format. Most of your movies will require conversion.

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Once you click "Yes" you'll be prompted to tell Burn where you want to save the converted movies. In that save dialog box, in you live in North America, make sure the NTSC format is selected (Read about PAL format).

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Note: This conversion process can take some time depending on the size of your movie, and the speed of your Mac.

Step 3: Click the Burn button and insert a blank DVD.

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Your computer will display a dialog indicating the DVD is burning. When it's done, eject the disc and try it out in your TV's DVD player.

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Enjoy.

Source: This tip comes from a recent question from graphic designer Nicola Leonard with the in-house creative department of fundraising agency Merkle Inc. located in Downtown Seattle. This tip is also inspired by requests sparked by our holiday tip downloading the holiday yule log.

Hit ESC to exit a text frame in InDesign CS3.

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Here is one of those great small details that makes Adobe's InDesign CS3 upgrade such a pleasure to work with. Eventually, most designers want a shortcut to switch to the Selection tool while you're working inside a text frame. You can't tap the V shortcut because you'll just end up adding the letter "v" to your text.

Now with InDesign CS3, when you are finished editing your text, just hit the ESC key on your keyboard. This is the quick-and-easy way to jump out of an active text box and switch directly to the Selection tool.

I've come to love this simple little keystroke. Pass it along to another friend in your life who uses InDesign.

Source: This tip comes from graphic designer David Cole at Phinney Bischoff Design House in Seattle's Capital Hill neighborhood. Back in 2005, we wrote a more circuitous tip in QuickTips #90 for accomplishing a similar shortcut in InDesign CS2.

January 01, 2008

January 2008 Mini-Workshop Schedule!

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Our new 90-minute mini-workshop format appears to have been a hit last year. And as we usher in 2008, we're expanding the topics as well as setting aside each Thursday morning for an ongoing series of Photoshop CS3 training workshops. Check out the list for a couple free topics as well.

Here's the pitch: Join us Wednesday or Thursday mornings at 9:30am in our Seattle offices (sorry, not available remotely yet). Pick up a couple new skills, and get back to work before lunch. You can put what you learned into use the same day.

Sign up for a couple interesting topics, and check-off one to-do on your New Year's resolution list!

Wednesdays: Creative Mini-Workshops

Each Wednesday, we provide a new 90-minute workshop on a wide variety of topics inspired drawn directly from our real world experience supporting hundreds of creative teams in the greater Seattle area:

Wednesday, Jan 9: 9:30-11am — InDesign CS3/CS2: Master Pages.

Wednesday, Jan 16: 9:30-11am — Acrobat: Preflighting PDFs for Printing.

Wednesday, Jan 24: 9:30-11am — Adobe Bridge: Keywording Strategies.

Wednesday, Jan 30: 9:30-11am — InDesign CS3/CS2: Style Sheets.

Wednesday, Feb 6: 9:30-11am — FreeHand to InDesign CS3.

Wednesday, Feb 13: 9:30-11am — FreeHand to Illustrator CS3.

Photoshop Thursdays: Non-Destructive Retouching.

New for 2008: Every Thursday morning, Photoshop guru, Jason Hoppe, leads an ongoing series of classes teaching non-destructive retouching techniques in Adobe Photoshop CS3. Done properly, you protect your full image quality as you make edits, while retaining flexibility when clients come back with later change requests.

Thursday, Jan 10: 9:30-11am — Photoshop: Non-Destructive Retouching Overview. FREE!

Thursday, Jan 17: 9:30-11am — Photoshop: Mastering Layers.

Thursday, Jan 24: 9:30-11am — Photoshop: Mastering Selections.

Thursday, Jan 31: 9:30-11am — Photoshop: Mastering Masks.

Thursday, Feb 7: 9:30-11am — Photoshop: Color Correction.

Thursday, Feb 14: 9:30-11am — Photoshop: Power Cloning Techniques.

Thursday, Feb 21: 9:30-11am — Photoshop: Retouching Skin.

Thursday, Feb 28: 9:30-11am — Photoshop: To Be Determined.

Thursday, Mar 6: 9:30-11am — Photoshop: Digital Anomalies.

90-minute Workshops. Learn in the morning and get back to work.

At CreativeTechs, we're taking a new approach to learning. We've broken weeks of training materials into dozens of smaller, bite-sized modules. The results are shorter, focused classes that allow busy creative professionals get what they need, without having to set aside an entire day, or two, (or three) for longer classes.

Also Available: Personalized & Group Training.

In addition to the morning 90-minute workshops, all Jason Hoppe’s workshops are available for individual one-on-one training, or personalized group training sessions. Plus, because of how we've developed smaller, bite-sized modules, we can easily combine a variety of topics to fit your team's unique needs.

If you are interested in group training, or a personalized coaching session, email training@creativetechs.com